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The eider will eat mussels by swallowing them whole; the shells are then crushed in their gizzard and excreted.
When eating a crab, the eider will remove all of its claws and legs, and then eat the body in a similar fashion.
The female is a brown bird, but can still be readily distinguished from all ducks, except other eider species, on the basis of size and head shape.
The drake's display call is a strange almost human-like "ah-ooo," while the hen utters hoarse quacks. Drakes of the European, eastern North American and Asia/western North American races can be distinguished by minor differences in plumage and bill colour.
The similar misconceptions about the two songs has been noted by two writers, both of whom see it as tribute to Hammerstein's talents.
Alyson Mc Lamore, in her book Musical Theater: An Appreciation, writes, "The last song to be written for the show was 'Edelweiss,' a tender little homage to a native flower of Austria that has the effect of authentic Austrian folksong, much as 'Ol' Man River' struck listeners as a genuine African American spiritual." Hugh Ford, in his biography of Oscar Hammerstein, writes about "the ability of the authors to simulate the quality of an authentic folk song...
The estates of Rodgers and Hammerstein have not authorized the use of alternative lyrics with the melody of the song, making certain commercial uses of those versions potentially infringing if they do not fall under fair use.
This scene, inspired by a line in the original script by Howard Lindsay and Russel Crouse, calls for Captain von Trapp to sing "Edelweiss" with his children in their family drawing room and rediscover the love he felt for them, with Liesl accompanying him.
In the 1965 film adaptation, the song is also sung by the Captain earlier in the film when he rediscovers music with his children.
The Lindsay and Crouse script provides the metaphor of the simple edelweiss wildflower as a symbol of the Austria that Captain von Trapp, Maria, and their children knew would live on, in their hearts, despite the Nazi annexation of their homeland.
It is named after the edelweiss, a white flower found high in the Alps (Leontopodium alpinum).
The song was created for the 1959 Broadway production of The Sound of Music, as a song for the character Captain Georg von Trapp (originated by the performer Theodore Bikel).